A little boy is taken by the Sand Man to Santa's workshop, only to discover that it has been taken over and industrialized by an evil robot.

Against all the odds, a thirteen year old boy in Malawi invents an unconventional way to save his family and village from famine.

It’s not uncommon for a film to have a moving love story at its core. Yet this particular set-up is unusual. The lovers here are Ingeborg Bachmann and Paul Celan, both important representatives of post-war German-language poetry. The story of the relationship between the Austrian and the Jew from Czernowitz is told through their nearly 20-year correspondence (1948–1967). Or, more precisely, by a young woman and a young man reading from their letters in a studio in Vienna’s venerable Funkhaus.

A Californian family inherits a castle in Romania. This is especially exciting to the son, who is obsessed with monsters. And he is not disappointed.

Paul feels life should be an adventure, and sets out on one to prove that Trolls really exist.

Paul feels life should be an adventure, and sets out on one to prove that Trolls really exist.

Alfred Carlton Gilbert invented the Erector Set and is trying to get it onto the toy shelves of the country. A.C. is startled to be summoned to the White House, where top officials ask him to convert the toy factory into a weapons manufacturing company for the duration of the war. "No" is really not an option, for fear of being labeled unpatriotic so the switch is made. Later, government officials ask A.C. to be their spokesman for a campaign to avoid "toy giving" for the coming holidays and buy war bonds instead. With a young son himself, who looks forward to Christmas like any other child, what will A.C. do this time?

A workaholic big-city fashion journalist is sent to a Christmas-obsessed small town to dig up a story when she finds herself in the middle of cut-throat housewives, a high-stakes “Winter Ball” competition, and a sinister plot that could destroy Christmas fore-evah!

A workaholic big-city fashion journalist is sent to a Christmas-obsessed small town to dig up a story when she finds herself in the middle of cut-throat housewives, a high-stakes “Winter Ball” competition, and a sinister plot that could destroy Christmas fore-evah!

Based on the classic 19th century tale by German writer/composer E.T.A. Hoffmann, the film investigates the tale's themes of obsession and madness, emphasizing expressionist imagery and theatrical style. The story relates the life of the young student Nathanael, whose childhood memories are haunted by a sinister man. As a child, Nathanael believed this dark figure to be the mythic Sandman, who puts children to sleep by stealing their eyes. When confronted by this same evil presence as an adult, he is pushed toward madness as he tries to confront his childhood fears.